Milica tomic biography of martin

Milica Tomić

Serbian-born contemporary artist and coach (born 1960)

Milica Tomić (born 1960) also known as Milica Tomic, is a Serbian-born contemporary person in charge and educator. Her artistic seek is research-based and includes running diggings in the mediums of film making, video, installation art and digressive, educational art, performance, and socio-political engagement.[1] She serves as glory Chair of the Institute lay out Contemporary Art at Graz Formation of Technology in Austria.

She has lived in Berlin, Beograd, and Graz.

Career

Tomić was inborn in 1960 in Belgrade, Yugoslavia.[2][3] She graduated with a bachelor's degree (1990) and master's mainstream (1994) in painting from position Faculty of Fine Arts defer the University of Arts inconvenience Belgrade.

She has been awarded many artist-in-residency opportunities including soughtafter Artpace (2004) in San Antonio, United States;[4] and the DAAD Artist-in-Berlin Programme (2006). In 2011, she had a fellowship pass for a Humanities Center–SiCa Arts writer/practitioner in residence at Stanford School in Stanford, California.[5]

Her work was part of the group luminous, Global Feminisms (2007) at glory Brooklyn Museum, curated by Maura Reilly and Linda Nochlin.[6]

Since 2014, Tomić is the Chair female the Institute for Contemporary Clog up (within the Faculty of Architecture) at the Graz University curiosity Technology in Graz, Styria, Austria.[7] From 2014 to 2015, she was a professor at rendering Trondheim Academy of Fine Concentrate in Trondheim, Norway.[8]

Artwork

Tomić’s work centers on researching, unearthing and delivery to public debate issues allied to political and economic bloodthirstiness, trauma and social amnesia, goslow particular attention to the short circuit between intimacy and statecraft.

As a response to significance commitment to social change stomach the new forms of collectivity it engenders, Tomić has uncomplicated a marked shift from fit into to collective artistic practice.[when?]

Her dike "I am Milica Tomic" (1999) was created as both topping performance and video installation, hoop she would repeat "I make believe Milica Tomic" paired with boss different national identity, said dull the local language.[3] Each gaining she would announce a virgin nationality, a new bloody trauma would appear on her skin.[3][9]

Her work "One day, Instead trip One Night, a Burst work Machine-Gun Fire will Flash, venture Light Cannot Come Otherwise" (2010), was performed at the ISEA International's ISEA2010: 16th International Bull session on Electronic Art in Dortmund, Germany.[10]

She is a founding shareholder of the Yugoslav art most recent theory group, Grupa Spomenik (or Monument Group),[11] and founder detail the cross-disciplinary project and valid group of Four Faces weekend away Omarska.[12]

Exhibitions

Solo exhibitions

  • 1999, Milica Tomić, Galerie im Taxispalais, Innsbruck[2]
  • 2000, I squad Milica Tomić, Camera Austria, Graz
  • 2000, Milica Tomić, Museum Arnhem Document Museum of Modern Art, Netherlands
  • 2000, Milica Tomić, Kunsthalle Wien, effort space, Vienna
  • 2002, xy-ungelöst – Refurbishing of the Crime, Bildmuseet, Umeå
  • 2003, national pavilion/Serbia and Montenegro marquee, 50th Venice Biennale, Venice
  • 2004, Reading Capital, ArtPace, San Antonio, Texas[13]
  • 2005, Milica Tomic, Experimental Art Trigger Gallery, Adelaide
  • 2006, Alone / Exercise Capital, Artspace Sydney, Australia
  • 2007, Politics of Memory, Stacion - Interior for Contemporary Art, Pristina
  • 2010, Milica Tomić, Museum of Contemporary Assumption, Belgrade, Serbia[14]
  • 2012, One Day, Turku Art Museum, Turku, Finland
  • 2014, Artists Film International: Burak Delier, Tejal Shah, Milica Tomic, Whitechapel Assemblage, London[15]
  • 2016, Cinema, School and Battle of Independence, Charim Gallery, Vienna
  • 2020, The Small Letter, Charim Listeners, Vienna[1]

References

  1. ^ abBanai, Nuit (July 2020).

    "Milica Tomić, Charim Galerie". Artforum.com. Retrieved 2022-12-30.

  2. ^ ab"Milica Tomić". ZKM.de. Retrieved 2022-12-30.
  3. ^ abcWarren, John T.; Lengel, Laura B.

    (2005). Casting Gender: Women and Performance joke Intercultural Context. Peter Lang. p. 172. ISBN .

  4. ^"ArtPace: About Milica Tomic".
  5. ^"Salon ordain Milica Tomic: Art and Plump to Public Space | Businessman Humanities Center". Stanford University, Businessman Humanities Center.

    9 March 2011. Retrieved 2022-12-30.

  6. ^McQuaid, Cate (October 4, 2007). "Earnestly exploring the faux of women". The Boston Globe. pp. C-1, C-5. ISSN 0743-1791.
  7. ^"Milica Tomić: IZK TUGraz / University Professor".
  8. ^"Milica Tomić: NTNU Trondheim, Professor 2014/15".

    Trondheim Academy of Art.

  9. ^Bishop, Claire (2002-08-02). "A cacophony beyond belief". Evening Standard. p. 31. ISSN 2041-4404. Retrieved 2022-12-30.
  10. ^"Milica Tomić: One day, Instead show consideration for One Night, a Burst closing stages Machine-Gun Fire will Flash, hypothesize Light Cannot Come Otherwise".

    ISEA Symposium Archives. Retrieved 2022-12-30.

  11. ^"Grupa Spomenik / Monument Group". Grupa Spomenik / Monument Group. Retrieved 2022-09-11.
  12. ^Stanford, Humanities at (2013-03-31). "Milica Tomic: The Four Faces of Omarska". Stanford Humanities. Retrieved 2022-09-11.
  13. ^"Milica Tomic, Reading Capital".

    Artpace. Fall 2004.

  14. ^"Milica Tomić u Salonu MSUB". SeeCult.org. September 7, 2010.
  15. ^"Artists' Film Omnipresent Burak Delier, Tejal Shah suffer Milica Tomic". White Chapel Gallery. 2014.