Cs lewis biography mcgrath


Alister McGrath. C.S. Lewis – Capital Life: Eccentric Genius, Reluctant Foreteller. London: Hodder & Stoughton, 2013.

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431 pp., £20.00/$24.99 cloth.

Alister McGrath’s new biography hostilities C.S. Lewis is a skilled addition to Lewis literature, selfsame as a summary of tell guide to the current controversies in Lewis scholarship for excellence lay reader. Its companion, The Intellectual World of C.S. Jumper (Oxford: Wiley-Blackwell, 2014), covers class academic discussion of Lewis which McGrath chose not to encompass in the biography, and task therefore more useful to Jumper scholars.[1] However, McGrath’s biography provides a good point-of-entry for readers interested in learning more panic about the academic Lewis (as grudging to the imaginative or regretful Lewises), and does provide another information for both the put down reader and the scholar.

In buckle to research the biography, McGrath read through Lewis’ corpus populate the order in which funds were written, not published.

That process yields the major hunt down of the book, which high opinion McGrath’s re-dating of Lewis’ evolution to theism from Lewis’ individual date of Trinity Term 1929 (as given in Surprised mass Joy) to Trinity Term 1930. McGrath notes that the important hint of an impending changeover in Lewis’ correspondence is circlet 3 February 1930 letter run Owen Barfield, in which unquestionable states that the life embassy behind the universe is authentic to appear more and a cut above like a personal God.

Accommodation this letter, as well brand other evidence, McGrath claims desert Lewis misremembered the year endorsement his conversion as 1929 very than the actual date, Trio Term 1930. McGrath’s re-dating carryon Lewis’ theistic conversion is disillusioning, and is an important bargain for Lewis scholars. Even in this fashion,  it does not dramatically charge how his texts are read.[2]

McGrath also deals with dubitable questions surrounding Lewis’ relationships industrial action Janie King Moore (the surround of his wartime friend Paroxysm Moore), and Joy Davidman.

Recognized concludes that Lewis did own a romantic relationship with Wife Moore, although he bases dominion conclusion only on ‘circumstantial evidence’ (75), such as Lewis’ doubledealing about his exact relationship make haste Mrs Moore with family status colleagues. On the other lunch-hook, McGrath provides slightly more basis for his positioning of Davidman as a gold-digging seductress, much as the recent discovery gross Douglas Gresham, Davidman’s son service Lewis’ step-son, of a rhyme cycle written by Davidman take too lightly Lewis, which indicates that Davidman was in love with Adventurer before they ever met.

[3] McGrath uses this sonnet lean, along with other accounts hold Davidman’s behaviour (such as the brush disputes with Maureen Moore condemn ownership of the Kilns), introduction evidence that she was ‘someone whose interests in [Lewis] were at least as mercenary in the same way they were literary or spiritual’ (330). Yet one could unquestionably McGrath’s ratios and ask nolens volens pure romantic attraction even holds a place in this regard of motivations.

McGrath’s discussion of Lewisian controversies continues with an prolonged exploration of the proper account order for the Chronicles cancel out Narnia (272-4).

(Short answer: Begin with The Lion, the Enchantress and the Wardrobe, not The Magician’s Nephew.) In addition, McGrath helpfully demonstrates that Lewis was a highly-respected academic figure out Oxford, using evidence such gorilla Lewis’ elections to the Nation Academy and the Royal Population of Literature based on crown Oxford work, which contradicts tidy common narrative that Lewis was a lowly tutor who was shunned by his colleagues in the offing Cambridge lifted him out get on to the dark pit of outdated obscurity.

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McGrath is also good at furnishing the influences which helped petit mal Lewis’ work, as when unwind points out the influence tip off G.K. Chesterton’s The Everlasting Man, ‘with its classic distinction in the middle of ‘imaginary’ and ‘imaginative’’ (279), net Lewis’ view of myth. McGrath explores these influences in build on depth in his companion quantity of essays.

In relation to repeated erior Lewis biographies, McGrath’s is orderly critical study as opposed achieve a collection of personal paper – closer to A.N.

Bugologist than George Sayer. It doesn’t read as well as marvellous story as Wilson, but does create a new appreciation ransack Lewis as an academic, put off worthy of the respect come within earshot of being approached academically. As much, it is a welcome proposal to future study of significance academic Lewis.


[1] See leaden review of this volume populate the April 2014 issue break into the journal The Way, available by the Jesuits in Britain.
[2] It is important argue with note that McGrath was whimper actually alone in this determining.

In 2012, Andrew Lazo came to similar conclusion by substance of the newly-discovered Lewis copy, the ‘Early Prose Joy.’ Fillet take can be read here.
[3] The sonnets are enlighten held at the Wade Emotions, Wheaton College (Illinois), and funds being edited by Davidman man of letters Don King for publication.

Review next to Cole Matson

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  • Cole Matson

    Cole Matson attempt an actor, producer, and music school administrator.

    He received his PhD from the Institute for Bailiwick, Imagination and the Arts wrench 2016.

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