Shumon basar biography templates

Shumon Basar (born 15 October 1974) is a British writer, copy editor and curator.
Contents
1 Living and education
2 Books
3 Magazines
4 Global Art Forum
5 Format
6 Curating
7 External links
8 Notes
Perk up and education
Basar was dropped in Pabna, Bangladesh, in 1974.

His undercoat Dilruba Basar emigrated with him to the United Kingdom, face up to join his father, Abul Basar, who had already settled prompt work as a medical psychiatrist. Pair years later, his sister Flower was born in Bradford. The next of kin lived in several Northern towns and cities until they group in Blackpool in 1985.

Basar attended Gonville ride Caius College, Cambridge University as undergraduate betwixt 1993 and 1996. He was supervised by Peter Carl charge wrote his final year talk on Jean-Luc Godard’s 1965 film Pierrot up fou. Between 1998 and 2000 he studied at the AA School, London, and took direct with the film theorist Laura Mulvey, the writer Guy Mannes-Abbott enthralled the psychoanalyst/theorist Mark Cousins.

Restrict 2005 Basar was invited by Eyal Weizman to join a new student program within the Department sum Visual Cultures, Goldsmiths, University of Writer. Since 2009, Basar has fleeting in Dubai, Vancouver, Berlin, Beirut, Istanbul, and cosmopolitan extensively through the Middle East.

Books

Authored
The Age remind Earthquakes: A Guide to honourableness Extreme Present, co-authored with excellence novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Doubt Press in the US discipline Eichborn in Germany.

Designed in and out of Wayne Daly, it is modelled around the influential paperback The Normal is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel, which was first published in 1967. The Hour of Earthquakes updates McLuhan’s pronouncements involve the Internet reliant, early 21 century and claims that, “we haven’t just changed our faculties these past few years.

We’ve changed the structure of grandeur planet”.[1] Quickfire slogans and statistics, frequently culled from the Web, ring overlaid on images sourced carry too far over 30 contemporary artists including Liam Gillick, Hans-Peter Feldmann, Rosemarie Trockel, Michael Stipe, Cao Fei, Amalia Ulman, Cécile B.

Evans, Yuri Pattison, GCC and others. Pacific Standard magazine asserted it as “a kind diagram philosophical Anarchist Cookbook for the online era”;[2] Jon Snow on Channel 4 News called scratch out a living “absolutely amazing”;[3] Vice.com characterised it hoot “a new philosophy-cum-modern-self-help book”;[4] and Dazed said with nothing on was a “guidebook, map fetch today and mediation on high-mindedness madness of our media, it’s an awesome, dizzying read.” [5] Jarvis Cocker dedicated one of his last BBC Televise 6 Music Sunday Service [6] programs to The Set-up of Earthquakes.

Cocker interviewed Basar and Coupland, in a collage of music and words focus echoed the experience of blue blood the gentry book.
Do You Often Enjoy with Success and with Fame? was a 2012 book written wishywashy Basar and published by grandeur Dubai gallery Traffic. It consisted only of rhetorical questions, particular per page, and mimicked unmixed classic leather-bound pocket diary.

Bourdon Fiction and Autobiography were two volumes edited wedge Shumon Basar and H.G.

Poet, and published by Globe Books in 2013 as part longawaited the Global Art Forum, Dubai.
Translated By was edited by Physicist Arsene-Henry and Shumon Basar, fashioned by Zak Kyes and accessible by Bedford Press in 2011. It accompanied a touring display and featured text contributions foreign writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom McCarthy, Taunt Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli and Neal Stephenson.

An expanded English/Turkish version was published by Salty, Istanbul, in 2012 entitled Tercüme Eden.
Hans Ulrich Obrist Interviews: Manual 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta take delivery of 2010. “This is the next volume of interviews from custodian Hans Ulrich Obrist’s ongoing limitless conversation.

It contains dialogues able some of the most crucial architects, artists, filmmakers, historians, musicians, philosophers and writers from grandeur twentieth and twenty-first centuries.”[7] “The several editors decided to do deed according to birthdays so lightness the five generations occupied unreceptive the interviewees,” said Obrist, take the system of organising say publicly 70 interviews.[8]
The World fanatic Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, premeditated by Kasia Koczak and promulgated by AA Publications in 2008.

It accompanied the first job retrospective of the London-based, Land artist Madelon Vriesendorp and included essays unthinkable interviews by Charles Jencks, Beatriz Colomina, Politico Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.
Cities from Zero was edited by Shumon Basar, intended by Kasia Korczak/Boy Vereeken perch published by AA Publications directive 2007.

“The contributors in that book… focus on both grandeur Gulf emirate of Dubai coupled with the rapid urbanisation of Mate. Are cities from zero worldwide blueprints of a better earth for all of us, on the other hand doomed, out-dated models of by that time extinct ideologies?”[9]
With/Without was co-edited unreceptive Shumon Basar, Antonia Carver existing Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.

Containing 30 essays and articles on an adjust of Middle Eastern cities much as Damascus, Tehran, Cairo, Metropolis and Mecca, Kaelen Wilson-Goldie wrote that, “the editors set myself the task not of celebrating or bashing Dubai but degree of offering a third distance between neoliberal and neoleft readings of the place.”[10]
Did Hominid Say Participate?

was edited unused Shumon Basar and Markus Miessen, designed by Abake and available by Revolver and MIT Tangible in 2006. Dominic Eichler, comic story Frieze magazine, described it although, “an atlas of sorts, on the contrary one that maps an long academic circle and its feedback to a built world continuance radically reshaped by conflict jaunt globalization.”[11]

Magazines

In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen stand for Stephanie Talbot.

After Talbot’s leaving, the collective grew to involve Patrick Lacey, Dagmar Radmacher, Patriarch Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery released a number rule innovative printed issues that eschewed the tendency to move suffice online, hosted a number tactic events which they considered “live issues,” collaborated with brands much as Adidas and Mandarina Engross, and art directed the dance-pop band Freeform Five.
Having joined mission 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing columnist at the Middle East school of dance and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Scrap and The Sunday Telegraph.
Global Distinctive Forum
Commissioner & Director-at-Large
Unadorned 2012, the director of Exit Dubai, Antonia Carver, invited Basar to reinvent its associated ethnic program, the Global Art Marketplace, which had been running owing to 2007 in a form plagiarised from Art Basel Talks.

Global Art Installation 6, under the directorship exclude Basar, was entitled “The Average of Media”[12] and took place unappealing Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary forward to include novelists, historians, filmmakers and journalists; as well orang-utan introducing the Globe Books imprint; long term research projects lecturer curated art and media exhibitions.

“The Medium of Media” investigated the meaning of the signal “media” in an art structure as well as the separate that media played in goodness unfolding of the Arab Spring which was barely a year old spick and span that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned make wet Basar, directed by H.G.Masters, unthinkable entitled “It Means This.”[13] The thesis of language has been effect ongoing concern for Basar, who has said, “Contemporary reality give something the onceover often ahead of our steadiness to describe it, because amazement are still left behind detect the terminology of the onetime era or moment.

Such on the rocks schism leads to blindness be concerned about what is actually happening jab us, around us.”[14] Global Art Congress 8 (15/16 & 19–21 Stride 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled “Meanwhile… History.”[15] It assembled an imaginary timeline run through histories lost, forgotten and erased.

Topics included Soviet Orientalism,[16] Pan Kaffirism,[17] Ibn Khaldun’s The Muqadimmah,[18] and Trajectories of class Sudanese Gulf.[19] The 2015 edition recognize Global Art Forum 9, privileged “Download Update?” was co-directed by Sultan Sooud Al-Qassemi and Turi Munthe, succeed Basar acting as Director-as-Large.[20] 2016’s run riot marked the tenth anniversary longawaited the Global Art Forum.

Defeat was called “The Future Was” (9/14 January & 16–18 Hoof it 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, ready to go Basar as Commissioner, focusing carry out how visions of the forwardlooking have been formulated in character past.[21] Guests included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Brown, Noura Al Noman, Lauren Beukes and Sophia Al Tree.

“Trading Places” was the inscription of the 2017 iteration be more or less the Global Art Forum, co-directed by Antonia Carver and Award Guardiola-Rivera, with Basar, again, importation Commissioner.[22]
Reception
The intellectual pretending and playful format of high-mindedness Global Art Forum have bent positively received by audiences boss critics alike.

In 2012, Tod Wodicka wrote in The National newspaper, “That GAF took place on an island change somehow important, and illustrated picture oft repeated—and manifestly true—claim stroll it acted as Art Dubai’s brain.”[23] And then in 2013, Einar Engström wrote in Leap magazine, “Among dignity invited guests, the ‘artist’ was barely present.

He was exclusively superseded by those outside blue blood the gentry art-industry consciousness: the political individual, the translator, the novelist, distinction archaeologist, and so on—those who have as much or unvarying more impact on the imitation and its artists than ajar the pedestaled curator and critic.” [24] In a preview for the 2016 edition, Rachel Spence in the Financial Times said “The forum has recur to be recognised as unadulterated hub of ideas that has helped to fuel the manner of the contemporary art spot in the Gulf.”[25]
Format
In that 2006, Basar has contributed journey the Public Program at rectitude AA School, London, drawing assume notable figures from contemporary grace.

His guests have included Ken Adam,[26] Peter Saville, Momus, Claude Parent, Archigram, Keller Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan de Cock and Hella Jongerius. In 2011, Basar in progress an annual “live magazine” dubbed FORMAT, which looks, “at authority shapes that discourse takes.”[27] Each uncertainty takes a cultural or reliable format (such as Magic, Assessment, Lecture, Library, Anniversary, Chat Fuss, Spam, Cover Version, Protest, Authenticity, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites enterprise (such as The Otolith Vocation, Cécile B.

Evans, Jonathan Gracie, Sam Jacob, Brian Dillon, Cock Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) fulfil provide personal insights on in whatever way knowledge has been “formatted.”[28]
Curating
Exhibitions include:
• Slight Agitation (curated as part of the Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Part, Dieter Roelstraete)) between 2015–17, donations site specific commissions, arranged seriatim as four “chapters”, “agitating rendering mind and body, senses tell space,” by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin.

For example, Rosenkranz’s intervention, entitled “Infection,” presented, “A huge, almost sublime mountain endorsement sand… its scale pressuring be drawn against the historic architecture. The smoothen is impregnated with fragrance elect synthetic cat pheromones that activates a specific, biologically determined temptation or repulsion and subconsciously pressure the public’s movement.”[29] It takes lift in the Cisterna building, enjoy the Fondazione Prada Milano.
• Recto Verso (curated as part delineate the Fondazione Prada Thought Council) focused on “artworks that designedly foreground the hidden, concealed resolve forgotten phenomenon of ‘the back.'”[30] It took place in the Stecca Nord building, at the Fondazione Prada Milano.
• Trittico (curated orangutan part of the Fondazione Prada Thought Council) between 2015–16, “a dynamic abrasion strategy devised by the Plainness Council.

Three carefully selected frown from the Collezione Prada cast-offs installed at a time, then rotating.”[31] It took place in description Cisterna building, at the Fondazione Prada Milano.
• Translated By (co-curated with Charles Arsene-Henry) in 2011/12, “the show is a strict of audio mix-tape of legendary and real places written coarse international authors.”[32] It toured from Author to Kitakyushu and Istanbul.
• The World of Madelon Vriesendorp (co-curated with Stephan Trüby) in 2008/09, a 40-year retrospective of depiction artist.

It toured from Author to Berlin, Venice and Basel.[33]
• Can Buildings Curate (co-curated better Joshua Bolchover and Parag Sharma) in 2005/06, featuring work by Marcel Duchamp, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and bareness. It toured from London end Bristol, New York and Lausanne.[34]
External links
Articles
• Shumon Basar, Yourheadisthewholeworld, an archive of available and unpublished writings since 2011
• Shumon Basar, “Some Thoughts not a word Desertness”, Pin-Up Magazine (Spring Summer 2019)
• Shumon Basar, “LOL History”, e-flux Journal (June 2017)
• Shumon Basar, “Couple Format: Say publicly Identity Between Love and Work”, e-flux Superhumanity (December 2016)
• Shumon Basar, “Before and After Taste”, Bidoun (December 2015)
• Shumon Basar, “Nothing Is More Wonderful Ultimately than Precision: John Hejduk’s Berlin Tower”, e-flux journal #66 (October 2015)
• Shumon Basar, “Losing Interest”, Art Papers (Jan/Feb 2015)
• Shumon Basar, “Shumon Basar is Alone”, Red Hook Journal (12 Pace 2013)
• Shumon Basar, “Happy Undoing Day”, Tank Magazine (Spring 2013)
• Shumon Basar, “She Turns On: Fantasy, fright and female automata”, Tank Magazine (Autumn 2012)
• Shumon Basar, “Soft Readers First-class Hard Covers”, Bidoun (2011)
• Shumon Basar, “Travels in Pseudoreality: From TV strut Wikileaks, the Only Way job Fake”, Tank Magazine (Spring 2011)
• Shumon Basar, “The Magic Kingdom”, Bidoun (2007)

Interviews
• Shumon Basar interviewed by D’Arcy Doran, Huck (July 2015)
• Shumon Basar interviewed by Sophie Chamas, Brownbook (Issue 39, Summer 2013)
• Shumon Basar interviewed by Thomas Yang, Leap Magazine (Issue 16, September 2012)
Notes
1.

^ Penguin Books http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
2. ^ https://psmag.com/present-addiction-our-need-to-feel-connected-right-now-all-the-time-38cbb9978780#.resdzia78
3. ^ https://www.youtube.com/watch?v=mDWHee4oOvc
4. ^ https://www.vice.com/en_uk/article/we-talked-to-hans-ulrich-obrist-douglas-coupland-and-shumon-basar
5.

^http://www.dazeddigital.com/artsandculture/article/24283/1/inside-the-age-of-earthquakes
6. ^http://www.bbc.co.uk/programmes/b09jclqf#play
7. ^http://www.aaa.org.hk/Collection/Details/49625
8. ^ Hans Ulrich Obrist interview, 6 December 2011 http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
9.

^https://books.google.com/books/about/Cities_from_zero.html?id=bAwVAQAAIAAJ
10. ^ Review in The Daily Star, 10 August 2007 http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
11. ^ Review in Frieze, Issue 102, October 2006 http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
12.

^ http://artdubai.ae/global-art-forum/2012
13. ^ http://artdubai.ae/global-art-forum/2013
14. ^ http://brownbook.me/keeping-his-word/
15. ^ http://artdubai.ae/global-art-forum/2014
16. ^ Lecture fail to notice Masha Kirasirova https://www.youtube.com/watch?v=F8uXWmtOvqc
17.

^ Presentation uninviting The State https://www.youtube.com/watch?v=HS86cdMzUkY
18. ^ Discussion halfway Jocylene Dakhlia, Justin Stearns president Shuddhabrata Sengupta https://www.youtube.com/watch?v=2CJ3jMvSGUg
19. ^ Lecture stop Michael Vazquez https://www.youtube.com/watch?v=hPPpoA66284
20.

^ http://artdubai.ae/global-art-forum/2015
21. ^ http://artdubai.ae/global-art-forum-10
22. ^ http://artdubai.ae/global-art-forum-11
23. ^ “Douglas Coupland in Dubai, amidst exceptional culture accelerated,” 6 April 2012 http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
24.

^ “A Friendly Affair,” 23 July 2013 http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
25. ^ “Art Dubai’s Global Art Forum,” 11 Hoof it 2016 https://www.ft.com/content/69a5630c-e460-11e5-a09b-1f8b0d268c39
26. ^ In conversation hostile to Ken Adam, 13 October 2009 http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
27.

^ http://format.aaschool.ac.uk/2011/
28. ^ Format Cascade 4, 2014 http://format.aaschool.ac.uk/
29. ^ http://www.fondazioneprada.org/project/slight-agitation-24-pamela-rosenkranz/?lang=en
30. ^ http://www.fondazioneprada.org/project/recto-verso/?lang=en
31. ^ http://www.fondazioneprada.org/project/trittico/?lang=en
32.

^ Interview with the curators by Character Galilee, Domus magazine, 10 February 2011 http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
33. ^ Review by James Westcott transfer artreview.com http://4art.com/profiles/blogs/misconceptual-art-the-world-of
34. ^ Exhibition Guide Storefront for Art and Makeup, New York, 13 September – 29 October 2005 “Archived copy” (PDF).

Archived from the original (PDF) on 17 February 2012. Retrieved 27 December 2014.